One autumn night, as a grad student named Matthew is walking home from the subway, a handsome skateboarder catches his eye. Leif, mesmerizing and enigmatic, invites Matthew to meet his friends, who are experimenting with tarot cards. It’s easier to know what’s in other people’s minds than most people realize, the friends claim. Do they believe in telepathy? Can they actually do it? Though Matthew should be writing his dissertation on the poetry of kingship, he soon finds himself falling in love with Leif—a poet of the internet age—and entangled with Leif’s group as they visit the Occupy movement’s encampment across the river, where they hope their ideas about radical empathy will help heal a divided world and destabilize the 1%.

When the group falls afoul of a security contractor freelancing for the government, the news coverage, internet outrage, and legal repercussions damage the romances and alliances that hold the friends together, and complicate the faith the members of the group have—or, in some cases, don’t have—in the powers they’ve been nurturing. Elspeth and Raleigh, two of Leif’s oldest friends, will see if their relationship can weather the strains of criminal charges; Chris and Julia, who drifted into the group more recently, will have their loyalties tested; and Matthew, entranced by the man at the center of it all, will have to decide what he owes Leif and how much he’s willing to give him. All six will be forced to reckon with the ambiguous nature of transparency and with the insidious natures of power and privilege.

Overthrow is a story about the aftermath of the search for a new moral idealism, in a world where new controls on us—through technology, surveillance, the law—seem to be changing the nature and shape of the boundaries that we imagine around our selves. Caleb Crain, with astonishing sensitivity, acuity, and grace, has captured the deep unease and ambiguity that threaten our contemporary lives, and has written a beautiful novel about the redemptive possibilities of love and friendship.

Praise for Overthrow

“Crain skillfully evokes a recent past when the unprecedented access fostered by the internet still felt like a promise of liberation. . . . Overthrow is a nineteenth-century social novel for the twenty-first-century surveillance state. . . . Tender, psychologically precise prose. . . . Crain’s novel reminds us that real sympathetic awareness . . . remains our best defense against its weaponized digital double.”  
—Julian Lucas, The New York Times Book Review

“Beautifully rendered. . . . The novel is virtuosic in mining beauty and pathos from the texture of daily life. . . . Crain’s sentences themselves, with their jewelled words and carefully curated perceptions, constitute a kind of cri de coeur.”
—Garth Greenwell, The New Yorker

“Crain’s prose sparkles most when it returns to scenes of private interiority, of personal anguish and emotional attunement. Even as the book conjures the dystopian potential of twenty-first-century techno-capitalism, its best scenes remain its more textured intimate moments. If the state seeks to conquer by force, then the kind of revolution Overthrow proposes—however cautiously—is one that rests in forms of unspoken, telepathic consent. It’s the kind of affective connection we might find, for instance, in a novel.”
—Jane Hu, Bookforum